This week’s mandolin breakdown by Matt C Bruno focuses on “Ain’t Nobody Gonna Miss Me When I’m Gone.” Originally recorded by Jimmy Martin, this bluegrass jam classic is a great one to study! I’ve included basic melody and harmony charts as well as different chord voicing ideas.
In this week’s breakdown, the focus is on the instrumental “Panhandle Rag” by Leon McAuliff, highlighting its AABA structure and common chord patterns. While not frequently played in jams, the piece is deemed enjoyable and worth learning. The post includes charts in D and E, along with listening recommendations
Flop Eared Mule (also known as Long Eared Mule or Bluebell Polka) is a classic fiddle tune that dates back to 1854, originally published as the Detroit Schottische by Adam Couse. This lively tune is especially fun on mandolin thanks to its unique key change—from G in the A part to D in the B part. In this lesson, Matt C Bruno walks through three different melody voicings, chord options, and harmony lines, plus practice tips to strengthen your pinky and improve transitions between keys.
Forked Deer is one of those tunes that shows up in jams all over the place. it’s a ton of fun to play and a great workout for your fretting hand. It has a mix of melodic lines, rhythmic bounce, and that unmistakable old-time flavor that crosses over nicely into bluegrass circles. There are a […]
Gold Rush by Bill Monroe and Bryon Berline is a classic jam tune worth exploring. The post provides insight into its basic melody, harmony options, and chord voicing. Notably, it’s structured in an AA BB form, making it engaging for both beginners and advanced players. Listening to original references is emphasized as crucial for learning.
After a few mandolin song / tune breakdowns, I thought it was time to get back to some mandolin techniques. Today’s mandolin technique breakdown is more of theory review on the harmonized scale. If you’ve heard someone explain the chords of a song / tune by saying “it’s a 1 4 5 in A” or […]
Temperance Reel is a classic fiddle tune with Irish origins, also known as Teetotaler’s Reel. It’s derived from melodies like Billy in the Lowground and Blackberry Blossom, making it accessible for beginner musicians. The piece follows a standard AABB form and promotes fun with harmony playing. It’s a great addition to jam sessions.
Time for another “song I should know but never learned”. Today’s mandolin song breakdown focuses on East Tennessee Blues (sometimes called East Tennessee Rag). I first heard this tune done by Adam Steffey a while back. It’s a great tune that I liked, but just wasn’t called a lot in jams so I never really […]
